1. thegrandarchives:

    no offense to jerry west but this should have been the logo

    (via jesuisperdu)

  2. asimovisoverrated:

    Osamu Tezuka’s Metropolis

    (via horriblydeformed)


  4. purtie:

    MIA <3

    (Source: junk-science, via savagenewtimes)

  5. (Source: seinfeldtbh, via warm-ways)

  6. Pre-Code Hollywood refers to the era in the American film industry between the introduction of sound in the late 1920s and the enforcement of the Motion Picture Production Code (usually labeled, albeit inaccurately after 1934, as the “Hays Code”) censorship guidelines. Although the Code was adopted in 1930, oversight was poor and it did not become rigorously enforced until July 1, 1934. Before that date, movie content was restricted more by local laws, negotiations between the Studio Relations Committee (SRC) and the major studios, and popular opinion than strict adherence to the Hays Code, which was often ignored by Hollywood filmmakers.

    As a result, films in the late 1920s and early 1930s included sexual innuendo, miscegenation, profanity, illegal drug use, promiscuity, prostitution, infidelity, abortion, intense violence and homosexuality.

    (Source: missavagardner, via redlobstercult2-thequickening)

  7. leseanthomas:

    Asian male apology game = tight.

    (via redlobstercult2-thequickening)

  8. monsieurcroche:

    Still from Space Is the Place (1972). Directed by John Coney.

    (via adultgoth)

  9. Zizek on Lynch

    The Pervert’s Guide To Cinema (2006), dir. by Sophie Fiennes

    (Source: lobstrocities, via dustanddrag)


  10. givemypoorheartease:

    Love—“Que Vida!”

    Da Capo (Elektra 1967).

  12. levantineviper:

    The now abandoned House of the Communist Party in Bulgaria 

    vacation destinations

    (via savagenewtimes)

  13. goregirlsdungeon:

    THE PHANTOM OF LIBERTY (1974) directed by Luis Buñuel

    (via gotankgo)


  14. (Source: sleepyevenings, via bootsi)


  15. somehillbilly:

    Dinosaur Jr, “Sludgefeast” (1987).

    (via abloodymess)